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They both stand completely naked, in true Swanberg fashion of nonchalantly and maturely dismissing the nudity on screen.
The nudity is special because it is so trivial, banal, and unnecessary.
Some scenes feel out of place and leave the film a bit messy and skewed in its theme, as if the film is going for more of a metaphorical statement (the frequent use of Marie's audiobook, long shots of silence, etc) and not the one I feel it is trying to emphasize on (the effects of age and the fall from ones peak).
Moreover, this is one of Swanberg's finest pictures, showing him tackling a new subject matter with the same old, delightful mumblecore style.
Marie is an insomniac, usually getting minimal sleep while she listens to her audiobook, rising in the morning to put on a wetsuit in order to go surfing, and hearing from her publicist about ambitious roles she didn't get due to her age.Starring: Jane Adams, Sophia Takal, Kent Osborne, Larry Fessenden, and Ti West. Rosetta Outcropping and Belvedere are the next generation of retaining wall.The inclusion of filmmakers such as Ti West and familiar faces such as Adams and indie actor Kent Osborne (who also appeared in Swanberg's Uncle Kent) in a documentary-style light, combined with Swanberg's frequent use of improvised dialog, each person is bringing their own particular taste in style to the table and could be potentially voicing their own opinions in their discussions.All the Light in the Sky's biggest issue is trying to make a clear statement, however.
"Kissing on the Mouth" is post-college life in close-up.